Freshmen Curriculum & Jury Repertoire

YSU Percussion Studio

Freshman Curriculum & Jury Repertoire

(click pdf's for musical examples)

Aural skills

   Sing in solfege - chromatic scales, major scales and triads, natural minor scales and triads.

   Rhythm - macrobeats & microbeats

      1.Table of Microbeats. 1-10 divisions - quarter note = 60

      2.Ping-Pong Microbeats. 1-8 divisions – quarter note = 60

      3.  Chaffee-Microbeat studies – from Rhythm & Meter


Snare drum

   1. Stroke comparison – single/double/triple/four

   2. Orchestral rolls - Multiple bounce roll – pp for 15”, transition into triple bounce roll crescendo for 15", diminuendo for 15”, returning to pp multiple bounce roll for 15"

   3. Rudiments – slow, fast, slow - Singles, Doubles, Flam, Flam Tap, Flam Accent, Drag, Single Paradiddle, 5, 7, & 9 Rolls

   4. Rudimental solos - Trad. Downfall of Paris, quarter note = 88., Connecticut Halftime, 

          5. Triple Bounce Roll Etude


Congas

   Tone production - Mitchell Peters – Intermediate Snare Drum Studies. Etude I. Various tempi and dynamics.

      1. Alternate sticking throughout with open tones, open slaps, closed tones, closed slaps, bass tones.

      2. Double stroke all sixteenth note pairs; hand to hand; use any of the five basic sounds (closed tone, open tone, closed slap, open slap, bass tones.


Keyboard  - xylophone, vibraphone, and marimba

            Technical studies:

                  Page 1 (exer. 1-7) of Keyboard Proficiencies – all exercises in cycle of dominants

            •Chromatic scales

            •Broken rhythm or GH Green pattern

                Major scales

                Natural minor

                Harmonic minor

                Melodic minor – ascending form only

            •Modes of a scale - in major and 3 forms of minor

            •Triads - in major and minor

            •Arpeggios

             Reading:

                     Mitchell Peters – Fundamental Studies for Keyboard, Book 1.  2 mallet etudes (pgs. 23-113),

                           4 mallet etudes (pgs. 114-136, Notate tempi for each exercise.

             Technical studies:

                  Seventh chords – major, dominant, minor, half-diminished, fully diminished.

                  Modes – from bright to dark

                  Augmented & Diminished triads


Drum set

   Groove styles chosen from: rock, disco, funk, jazz, Brazilian, calypso, soco, ballad w. brushes


Timpani

 Tuning etude, Peters etude

Glenn Schaft © 2008-2012